Stéphane Dumas — EPITHELIA
The prints of these skins are made from ex-voto recomposing fictitious bodies.
« The sense of sacredness is not due to the religious subject – whose «disaster» has been foretold since the Renaissance – but to the burning, inside the image, through its transmutation, under the action of resin, a vegetable substance which breaks like glass, becomes opaque and protects. The blurred figures appear through a misty veil. The artist questions the capacity and depth of today’s representation. »
Alexia Guggémos
These imprints are obtained from ex-votos representing body parts. They are anonymous votive signs of a desease and a cure.
Stéphane Dumas © 2017
« The sense of sacredness is not due to the religious subject – whose «disaster» has been foretold since the Renaissance – but to the burning, inside the image, through its transmutation, under the action of resin, a vegetable substance which breaks like glass, becomes opaque and protects. The blurred figures appear through a misty veil. The artist questions the capacity and depth of today’s representation. »
Alexia Guggémos
These imprints are obtained from ex-votos representing body parts. They are anonymous votive signs of a desease and a cure.
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« The sense of sacredness is not due to the religious subject – whose «disaster» has been foretold since the Renaissance – but to the burning, inside the image, through its transmutation, under the action of resin, a vegetable substance which breaks like glass, becomes opaque and protects. The blurred figures appear through a misty veil. The artist questions the capacity and depth of today’s representation. »
Alexia Guggémos
These imprints are obtained from ex-votos representing body parts. They are anonymous votive signs of a desease and a cure.
Les empreintes de ces peaux sont réalisées à partir d'ex-voto recomposant des corps fictifs.